From (City/Town): Manchester (CT)
Book Title: Break Blow Burn
Author: Camille Baglia
**Please note that I have never read this book. I bought it at a discount book sale because it had an intersting looking cover. I am not personally reccomending it, but it looks interesting to me.**
Teaser: From Publishers Weekly
The still-vocal critic of Sexual Personae, a book that drew on poetry and painting for its de-deconstructions of gender, checks in with an anthology of 43 poems, along with her own close readings of them. Her introduction offers a jumble of justifications for undertaking such a project (though she is "unsure whether the West's chaotic personalism can prevail against the totalizing creeds that menace it," she hopes it will), but the readings themselves reveal Paglia's fascination with poetry, which she likens "to addiction or to the euphoria of being in love." The book's first half presents canonical work that Paglia has found "most successful in the classroom" (Shakespeare, Blake, Dickinson, etc.). The second features mostly canonical modernist and confessional work (Stevens, Williams, Toomer, Roethke and Plath), with a few more recent pieces. Clocking in mostly at two to four pages, Paglia's readings sound a lot like classroom preambles to discussion—offering background, lingering over provocative lines, venturing provisional interpretations. Some of what she says comes off as grandiose (Roethke's " 'Cuttings' is a regrounding of modern English poetry in lost agrarian universals"), some as boilerplate, some as inspired. Though hit-and-miss, Paglia's picks and appraisals provide the requisite spark for jump-starting returns to poetry. (Apr. 1)
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Condition: Brand new. Paperback.
What I want in exchange: Anything. I would also include this as a "freebie" with any other trade.
How far I am willing to travel: Talk to me, we'll find out.